The New Yorker · 24 Sep 2026
Gut Renos of Ionesco and Chekhov
This is our introduction to He and She, two clownish, pugilistic lovers who are locked in a war of words, even as a literal war rages outside. Golyak, an avant-garde director trained in Moscow, has made a set of aggressive edits to Ionesco’s surreal post-Second World War farce, trimming roles, ampin
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