The New Yorker · 14 Nov 2026
President Trump’s Nightmare Oval Office
“It was interesting to really go in the opposite direction,” Dragset, who’s from Norway, said. “The far right is so afraid of something minimal. Once things get more abstract, it seems terrifying.” The sculpture, which pays tribute to Richard Serra, had travelled from Germany in an open-air container, to intentionally expose it to the elements. “We wanted it to be further in the rusting process,” Elmgreen explained.
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