The New Yorker · 23 Jun 2026
A Sprawling Monument to How Things Get Made
Now in his sixties, Power has spent decades photographing construction sites on commission. With each client, he has secured the same enviable creative license: to shoot what he wants, how he wants. In lieu of choreographed ribbon cuttings, he gravitates toward stark, formalist studies of nascent st
AI Translated Summary:
The article highlights the unique artistic approach of a photographer who captures the essence of construction sites, focusing on authenticity over staged events. His decades of experience allow him to explore the creative freedom in documenting the making of structures.
⬅ Back home
Read full article ➡