The New Yorker · 2 Sep 2026
The Strange Power of the Dance-Floor Novel
The story here is of the dance floor as a provisional utopia. For these writers, techno and house clubs are integrated spaces where all participants can immerse themselves in the beat. Wark, who, at fifty-six, came out as transgender, posits these often improvised raves as a zone where trans people
⬅ Back home
Read full article ➡